"There have been a few documentaries by "old media" crews who don't understand the net and see peer-to-peer organization as a threat to their livelihoods. They have no reason to represent the filesharing movement positively, and no capacity to represent it lucidly. We wanted to make a film that would explore this huge popular movement in a way that excited us, engaged us, and most importantly, focused on what we know to be the positive and optimistic vision many fileshares and artists (they are often one) have for the future of creativity. Hopefully you'll enjoy the first part of Steal This Film (Stockholm, Summer 2006). It achieves some, but by no means all, of our goals. This film is free for you to share, watch on your DVD player, or on your iPod, or show in cinemas. "
Steal this film I (2006) (extrait)
http://www.stealthisfilm.com/Part1/
"These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more? Because waves of repression continue to come: lawsuits are still levied against innocent people; arrests are still made on flimsy pretexts, in order to terrify and confuse; harsh laws are still enacted against filesharing, taking their place in the gradual erosion of our privacy and the bolstering of the surveillance state. All of this is intended to destroy or delay inexorable changes in what it means to create and exchange our creations. If STEAL THIS FILM II proves at all useful in bringing new people into the leagues of those now prepared to think 'after intellectual property', think creatively about the future of distribution, production and creativity, we have achieved our main goal."
Steal this film II (2007)
http://www.stealthisfilm.com/Part2/
http://www.stealthisfilm.com/Part1/
"These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more? Because waves of repression continue to come: lawsuits are still levied against innocent people; arrests are still made on flimsy pretexts, in order to terrify and confuse; harsh laws are still enacted against filesharing, taking their place in the gradual erosion of our privacy and the bolstering of the surveillance state. All of this is intended to destroy or delay inexorable changes in what it means to create and exchange our creations. If STEAL THIS FILM II proves at all useful in bringing new people into the leagues of those now prepared to think 'after intellectual property', think creatively about the future of distribution, production and creativity, we have achieved our main goal."
Steal this film II (2007)
http://www.stealthisfilm.com/Part2/
http://en.wikipedia.org/wiki/Steal_This_Film